Tuesday, September 24, 2013

Nicole Moudober @ Output, Brooklyn, NY 9/14


Saturday night in Williamsburg Brooklyn and we finally made it to give a review to Output. Output is multi room club, spread over several floors and a rooftop lounge, located at 74 Wythe Ave in Williamsburg, and the main asset is a finely tuned beast of a sound system. While they consistently have good lineups (typically techno) and packed crowds, before we give this club any kudos for which there were plenty, we are obligated to note a few gripes.  Normally we don’t complain over typical trifling club bullsh*t, but when you match it all up with our first gripe, Output, you deserve being called out.

This main push us over the cliff gripe was a really big one. A needless and easily avoidable life-threatening event caused and exacerbated by a horrible incident management plan. Without any doubt 100% gross negligence. At 3 am some idiot apparently pulled a fire alarm. Not cool, but certainly something that happens once in a while and any club needs to be prepared for. It should not have been a big deal really. First thing would be to cut the music.

Wrong.

When the fire alarm went off, the music continued to play and Maudober was so in sync with the beat of the loud chirping alarm, it sounded like it was actually part of the tracks. Everyone around us thought someone was blowing a whistle at first. Output chose to keep playing music over the alarm for over five minutes before acknowledging it. By the time they announced it was a false alarm and the Fire Marshall was inside, people were getting quite nervous. Most of the crowd ignored the alarms the entire time (brilliant idea folks!) and the rest of the crowd were pushing towards the fire exits. So, the alarm is going off, the Fire Trucks are outside, and many people want out of the building. So.......Just let the people exit if they want to exit, let the Fire Marshall in to inspect the place, reset the false alarm and clear the building. Then resume the party, right? Crisis averted.

Wrong.

Don’t let people out.” was the theme of their fire-drill. While we note there was no fire, simply telling people on the peripheral of a mass of people ‘not to panic’ is just not logical. It may seem logical to a pre-schooler….maybe , but surely by high school, any kid would be able to tell you that hoards of people in a very dark (near blacked out) club are going to tend to panic when the fire alarms are flashing, they can’t see the outside world, and face it, there’s people in the building that may have been drinking or be impaired …… and with all the news in recent years with the horrific details of tragedies just like these (WHERE PEOPLE ARE ALWAYS ADVISED TO IMMEDIATELY GO TO AN EXIT) the security is told specifically to ‘not let anyone through’ at the upstairs fire exits and rather to instruct people to go back into the angry hoard of people pushing them towards the door (somehow), through the dark building, to try to find some other exit door that will no doubt be packed with people being told something else. Just was beyond negligent. People were pushing in both directions when the obvious thing would be to let people walk to street and come back in when the alarm was shut off. It’s not rocket science. Everyone already had stamps on their hands. If there actually was a fire there, heaven help the people inside, as these are the knuckleheads that get 1000’s of people killed. All so they could keep people from leaving so that they would spend more money at the bar? We’d love for the person making the call to not let people out the clearly marked "Fire Exit"'s at that point to go listen to the recorded audio from inside some of these nightclub venues where masses of people die. We’ve read some of the transcripts and it’s not pretty. Huge shame and an epic fail to the safety plan and incident management handling at Output.

These other complaints would normally be censored and ignored, but paired with making us feel needlessly endangered, we’re not holding back…

On entry, there were two ‘guest list’ lines and the one we were in was shut down when our group was all but at the front. The dude flipped the sign that said "Guest List" and said: "No it's not." OK jerk. Now the once near empty other ‘Guest List’ line was now almost as long as the main line and everyone in the group is more than slightly annoyed. Not really a fan of being at front of lines, then told to go to the back of the new long line. Nobody would be. Normally we’d already be gone, but Nicole Maudober was playing inside. We can wait.

Most of our blame to all these gripes clearly falls on whoever has the authority to bark orders into the security guard’s earpieces. (And to whoever hired and or has authority over this person’s comedic job execution should have their head examined!) One could at least argue it is not really the security’s fault as they are only following orders (I think they tried that in Germany once too). They only want to keep their jobs. Obviously. If you hire a group of people to work at a job dealing with the health and safety of thousands of people and you check off ‘zombie and lemming like traits’ as the main hiring criteria for the job description after 'maintaining huge muscles', you better have unequivocal top-talent competency above them. These employees will be following a sole persons' orders blindly. You pay them to obey the earpiece and not to think as an individual, that is the job. So we patrons should expect there to be some relative aptitude with the person barking the orders.

Final case in point before I rest my argument that somebody needs to loose their job there… At one point they closed an exit from the rooftop area back to the main club and began telling patrons to go back in through the 'Panther Room' where you need a special paid upgrade to go to. Fine, we’ll all walk back to the club through a maze for some unknown reason, navigating through another very crowded room, instead of a simple walk down stairs. No problem Output. Errr......of course there is a problem. The genius instructing this into the guys earpieces failed to bother to inform the guy standing at the 'Panther Room'. So the people get to the 'Panther Room' trying to get back to the event and are told: “I’m just following orders. No stamp you can’t come through here.” he repeated and repeated this, as a huge mob of people more and more irate by the second built up in front of him.  You’d think if 50 people are all saying, some screaming, the same thing…..lol. To be honest, we’ve seen many much better equipped staff at illegal warehouse raves and watching them react to a simple false fire alarm was not far off from a three stooges skit. Albeit a really incompetent and dangerous one.

OK….besides clearly needing to reassess their safety plan and hire a competent event manager to instruct their pet lemmings, the venue is awesome.

Output has multiple rooms, a banging Funktion One sound system, intriguing stage lighting, $7 Stella Artois flowing on draft (kudos to the downstairs bartenders), and the club is an overall fun space. Nicole was amazing the entire night. It takes quite some talent to play 6 straight hours of techno with not a single person seeming bored with the music. Watching her spin for a while we observed she was using Traktor while basically having four decks rolling simultaneously about 90% of the time. It was texturally complex and an amazing sonic thread she used to spin her web with. We couldn’t begin to name a setlist, but suffice to say if you like techno, anything Nicole plays is banging. Amazing set.  

We knew it was going to be good when waiting through the entry cue (yes, waiting through it for the 2nd time) a group was overheard in line talking of being tired for having traveled from all over the country for the gig, some as far as south Florida. Her long curly and bigger than the 80’s hair spent much of the night in front of her face and we wondered how she could even see through it at times as she rocked along behind the decks. A guy at one point kept screaming he loved her and she was the ‘Queen of Techno’ which was quite annoying at least to us, but you can thank him for the only song we wrote down of the set….at 1:31 she apparently played ‘Come and Lay’, because he screamed “’Come and Lay’! I love this song! ‘Come and Lay’!!! Yeay!” the song like 20 times.

We have plenty of great photos….as the security did not noticeably try to stop anyone the entire night from shooting any, despite the clubs very strict ‘no camera’ policy. We’ll be polite and not post them, along with our polite plea to Output for some competent event management and safety planning in case the nrext fire drill is for real. Thanks!!!


Monday, September 23, 2013

Pirupa @ Pacha, NYC 9/13

Back to Pacha NYC once again with our friends at Biohazard, this time for Italianphenomenon Pirupa’s turn behind the decks for a lucky Friday 13thdance party. Born Piero Pirupa, ‘Pirupa’ has recently reached internationalglobe trotting DJ status like a meteor the past two years with remixes for thelikes of Jamaraqui and Riva Starr all the while releasing productions of hisown right on prestigious labels like SNATCH!, Defected, Stereo, Size and Rebirth. Aftercatching one of his stellar sets at WMC this past spring, we were glad catchhim in the Apple.  Thanks once again toour friends over at Biohazard Promotions for the invite.

Opening up the night was Amorosso, who almost shares thesame moniker of the famous bread on those delish authentic cheese steaks fromback home…mmmmmm cheese steaks…but I digress. Great opener, with tracks by thelikes of Cajmere, Todd Terry, Ben Pearce, DJ Amoroso’s own Set Me Free, releaseon Undergroovy and perhaps the set’s highlight of American Hustle by Vedic,Jaceo & Pleasurekraft.

Pirupa kept the crowd dancing all night with a melodictribal tech groove that was heavy on exclusive tracks. He hit the decks shortlyafter 1 am, mixing out of the opening DJ’s set with Paul Synth’s recent releasefor Cray One Label Works records ‘La Sauceda’. The tribal melodies werehypnotic, one of the best tracks in the set Mosquito by Moosak and RobertoBedross was played around 2 am, Pirupa briefly mixed in his recent global smashhit Party Non Stop around 3 am and by the time he played the SNATCH! Recordsrelease ‘Step Off’ by Luid at 4 am we were ready to head exhausted from dancingback to the train to sleep and save something for Saturday.

Biohazard Promotions:

Amorosso:

Pirupa:

Amorosso
Cajmere & Dajae – Brighter Days (Leon Dub mix)
Piek & Efron – Ma Business (Hector Couto Dub mix)
Todd Terry & Simone Vitullo – Let Yourself Go (VitulloFuture 90’s mix)
Induceve – Time to Begin (Zombie Disco Squad mix)
Jesse Perez – Hialeah House Party
Ben Pearce – What I Might Do (Simion mix)
Joe Scimo – The Time of the Organ
Todd Terry – Bounce to the Beat (Gary Beck mix)
DJ Amoroso & Nino Bellemo – Set Me Free
Gerald Henderson – I Do
Vedic, Jaceo & Pleasurekraft - American Hustle

Pirupa
Paul Synth – La Sauceda
Taylor Johns – Search
Asio aka R-Play – Speak (Morgan Thomas mix)
Moosak & Roberto Bedross – Mosquito
Darkworks – Transform (Pedro Freiberger mix)
Patrick Chardronnet – All I Got
Carabetta & Doons – Warriors
Pirupa – Party Non Stop (Vocal mix)
Luca M & Just2 – Come Back
Nick Mentes – Penny Penny Penny
Bastian Van Shield – Hard Babes (Marc Van Der mix)
Frankie Watch & Mathew Oh – Flu (Federico Locchi mix)

Luid – Step Off
























SOUP @ Cielo, NYC 9/6/13

We’ve been following the folks over at SOUP (Support Our Underground Properly) for a while now. It’s hard not to notice SOUP if you go out in NYC many times. They’ve been at it since the mid 90’s. The parties are the manifestation of DJ Chris Love’s love of house. He recently teamed promotionaly with DJ AB Logic (walla ‘DJ duo Love & Logic’) and it seems nearly every week they can be found throwing another gargantuan, often underground and always housey, dance music event. This past summer they’ve earned a recurring residency at Sullivan Room, hosted exclusive parties in the top night clubs of Manhattan brandishing big name DJ’s as well as a great many top local and regional DJ’s. They were found rocking dives practically under the Brooklyn Bridge for 12+ hours. They were spotted casting off on packed yacht parties in the Hudson before docking to all night after after-parties. Basically, SOUP has been at it for a long long long time and are essential mainstays in NYC. In an inbox flooded with event invites daily from around the globe, few promoters invites are even glanced at these days; we not only glance at, but we usually even read the ones they send. Recent SOUP DJ’s include Derrick Carter, Doc Martin, Todd Terry, Frankie Bones, Joeski, Francois K, Derrick May, DJ Pierre, Frankie Knuckles, Mr. V, Christian Martin…..yeah that kind of party, so go find it.

On a perfect late-summer Friday in September, we headed off to Cielo for SOUP’s latest blowout. ‘House Spinners’, with DJ Mus and Blaq Jeff (Astoria DJ Group legend and recent alumnus from “In Bass We Trust Miami Beach WMC 2013”) opened the night and had huge fan turnout and support for the amazing opening set he laid down. If only all DJ’s knew how to open a party like that. The entire cast of ADG DJ’s and friends were out to support the House Spinners and the building was packed and grooving hard by the time they left the decks.

‘The Wig’ came on next and played a long proper set of house music, while he danced and drummed live with l.e.d. tipped drum sticks.  Local saxophonist Leah Gough-Cooper stepped up and laid down a surprise performance during ‘Mark Knight’s Man with a Red Face’. Chris Patrick laid some beats and finally ‘Love & Logic’ graced the stage to finish off the sweaty and packed crowd until next time.

SOUP:



The Wig:

Here’s a few of the tracks that night:

House Spinners:

Coyu – Paseando Por Lima
Maintain – Fabio Giannelli

The WIG:

Satisfy – Cajmere
Vaggio – Don’t you Want Some More
Bjorn Wolf – Iz Diz Houz?
Mark Knight & Funkagenda – Man With a Red Face
Steve Bone – Girl
Toyboy & Robin – Jaded
Justin Timberlake – Like I Love You (Motez Edit)
Disclosure – F for You (Totally Extinct Dinasaurs mix)
Electronic Youth – Don’t You Know (Will Clark mix)
A$op feat A$op Rocky – Shabba
M83 – Intro
Alex Attias – Ciapirinha

Darragh Burke – Format